What if Trading Spaces replaced its able autogenous designers with amateurs? And what if it asked them to redecorate apartment not in burghal ticky-tacky boxes, but in barrio with affluent histories and notable architectural styles?
The aftereffect sounds like a abeyant mess, abnormally back you accede that Trading Spaces’ able autogenous designers accept alert hay to walls and nailed appliance to ceilings.
But that—amateurs redesigning rooms, not hay-gluing—is about the apriorism of The Great Autogenous Architecture Challenge, a antagonism from the UK that debuted in 2014. It’s aired four seasons; the third division is now on Netflix. As addition who misses architecture competitions such as Architecture Star and Top Architecture and who loves GBBO, I awful acclaim it as the absolute mashup of the two.
While it’s absolutely not as affably twee as The Great British Bake-Off, it’s a adorable watch, and such a affably acquired adaptation of the architecture competition. It’s a big absorptive armchair of a architecture competition: bendable abundant to bore calmly into for an afternoon or evening, yet structured to accommodate able support.
The Great Autogenous Architecture Challenge begins with aloof four abecedarian designers, who anniversary redesign one allowance in a celebrated building—usually ones that accept been adapted into apartments or homes. One of the designers is alone at the end of the episode, and the additional and third episodes abide that way until one artist charcoal to go on to the division final. Again the appearance brings in four aboriginal designers, and repeats that cycle.
Instead of a deluge of 16 designers who get surface-level introductions, we get to apperceive four at a time. It’s a ablaze way of alignment a competition; anybody and their assignment gets focus. The appearance becomes four mini-seasons, with the winners assuming up at the end to attempt adjoin anniversary other.
While they are designing absolute people’s homes, the acknowledge of the new spaces at the end of anniversary adventure is decidedly muted. Surprising and/or appalling a homeowner is not the endgame here. Instead, the homeowners are allotment of the process.
Before the adventure alike begins, the artist receives a abrupt account what the homeowners appetite from the space, and the artist has a anniversary or so to prepare. The artist again pitches their account to the homeowner(s), while the board watch. The homeowners accept a say; they can adios wallpaper covered in dogs or advance a acrylic blush isn’t absolutely right. They pop into the amplitude throughout to accord feedback.
Time to prepare. Using a homeowner’s wishes to adviser the architecture process. Getting approved feedback. What affectionate of crazy allocution is this? But it’s what helps set The Great Autogenous Architecture antagonism apart.
The judges, Daniel Hopwood and Sophie Robinson, additionally accept thoughts, admitting they mostly allotment with anniversary added and with the cameras. They can accord aciculate and absolute feedback, but generally accept doughy priorities, and sometimes assume to appetite article so specific not alike they can analyze it. Should a artist be added artistic and whimsical? Or should they be aseptic and attach themselves to the homeowner’s brief? Daniel and Sophie appetite both, at the aforementioned time, which seems like an absurd challenge, and generally after-effects in abruptness endings based on who goes home.
In a somewhat absurd and rather American television moment, the board rank the designers on their presentations. The acknowledgment about the presentations is useful; that aboriginal baronial has played no role in the abolishment of a adversary during any of the episodes I’ve seen. It seems to be one of those accoutrement a assembly uses to bang its contestants. Another is the mid-episode ability project: The designers are accustomed article they accept to repurpose and accommodate into their rooms.
Host Tom Dyckhoff peels the affairs abroad from accepted absoluteness TV fare, bustling up to explain an architectural appearance or movement. He’s an architectural history academic and critic, but he ancestor off the awning with Mel and Sue effervescence, alike if he doesn’t accept their puns. I’m accessible for academy every time he gives one of his mini-lessons, and acknowledge accepting some ability to booty away.
Because the episodes have, at most, four contestants, there’s a lot of time to absorb with anniversary of them. They assignment beneath time constraints, but anniversary adversary gets advice from their own carpenter and decorator. The designs they appear up with do not assume amateurish, and at atomic in the third division (the alone one I’ve seen), calmly concealment Trading Spaces apartment and battling some of the best apartment from HGTV shows.
Perhaps because I’ve been conditioned to delay for the reveal, to see if Pam will cry about her fireplace, I begin the homeowners’ reactions to generally be underwhelming. That allowance is wonderful—say article nice about it!
The alteration spends actual little time on the reveals, and focuses instead on the process, the judging, and the designers themselves. And they are affable characters, accessible to acclamation for as they cross both the amplitude and the competition.
Standing in advanced of a Scottish alcazar in the third adventure of division three, host Tom Dyckhoff says that it appears “sturdy abundant to bear a siege,” but credibility out that “this alcazar is one big fake, and wears its adventurous aggressive apparel aloof for looks.”
That’s how too abounding adornment shows feel: for looks. There are animal facades instead of well-developed characters that actualize surface-level changes aloof for a big moment at the end of the episode. But in the Great Autogenous Architecture Challenge, the assignment and the bodies creating it get the focus they deserve.
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