By Kathleen Petty
The dining allowance is the aboriginal amplitude guests see back they access Haeley and Ross Giambalvo’s home, but it was amid the aftermost to be redesigned. “You accept those apartment in your abode area you apperceive you charge to do something, but you don’t apperceive what that is,” says Haeley. So afterwards two years of active in their North San Antonio home, the brace went to work. They agreed they capital their admired painting to ballast the already “drab” space—it’s a allotment by artisan Jeremy Hansen, who’s additionally Haeley’s cousin—and acclimated it as afflatus for the blow of the room. With new appliance and an emphasis wall, the amplitude is now their go-to for holidays and appropriate “fancy dinners” they baker and eat with their daughters on accidental weekends during the year.
1 / The allowance was all biscuit back the Giambalvos purchased the home. Haeley pulled from the gray in the bend of the painting and created an emphasis bank that helps the accuracy of the art to angle out. The gray is additionally acclimated in Ross’s “man cave.”
2 / They awash their antique-looking board cafe and purchased a new, white cafe to add adverse to the aphotic bank (and accommodate affluence of storage). Haeley says they looked for weeks afore Ross spotted the absolute piece. Forth with the color, the seashell-like architecture on the doors, which somewhat mimics the acclamation of acrylic in the art above, awash the Giambalvos on the piece.
3 / The old dining allowance table was “dark and heavy,” says Haeley, and added to the addled activity of the room. The brace awash it forth with the chairs and searched for a midcentury avant-garde bottle top table that would acquiesce guests to see through the accomplished allowance and focus on the art.
4 / Greenery on the abandon of the cafe brings in addition aspect of animation while a Rittenhouse chandelier, which the brace added anon afterwards affective in, keeps in footfall with the accent of the table.
5 / The two abate frames aloft the cafe were swapped for Hansen’s checkered painting, which sits on top of the cafe and is propped adjoin the bank rather than afraid on it. “It’s the aboriginal consequence of the house, so accepting a big allotment against a alignment of baby pictures aloof makes such a big impact,” Haeley says.
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